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Health humanities: Lessons learnt in designing and implementing a curricular framework and student feedback through an interventional study
Correspondence to: JAIKUMAR B. CONTRACTOR; jaicontractor02@gmail.com
[To cite: Contractor JB, Modi C, Mirza N, Shah H, Kharod U. Health humanities: Lessons learnt in designing and implementing a curricular framework and student feedback through an interventional study. Natl Med J India 2025;38:303-7. DOI: 10.25259/NMJI_435_2023]
Abstract
Background
Medical humanities encompass an integrated and interdisciplinary approach that spans the literary arts, visual and performing arts, the history of medicine, and bioethics, among many others. Its purpose is to document and understand human encounters with illness, disability and medical procedures, aiming to cultivate empathy, compassion, and a broader perspective in doctors by emphasizing human interaction and creativity, leading to a more holistic view of healthcare.
Methods
We designed and introduced a 14-hour, choice-based coursework in the fields of literature, photography, painting, film studies, and dramatics to 150 medical undergraduate students during their 1st and 2nd professional years. A “Humanities Mahotsav” was celebrated as a culmination of the work done by the students at the end of the coursework followed by student feedback.
Results
We received encouraging feedback and majority of the students believed that medical colleges should provide a structured program to demonstrate their work in the field of arts and found the humanities coursework interesting. Most of the students were not in favor of assessment for humanities but perceived that the coursework makes them think more empathetically and help them become better doctors in future.
Conclusion
We believe that while the humanities too have to work within the parameters of medical education, it is imperative to explore and seek clarity on how to integrate the subject of humanities along with medical training process so that both ‘medical’ and ‘humanities’ find equal validity and weightage to actualize the true potential of the field.
INTRODUCTION
Conventionally, practitioners of the ancient Indian medicinal system, Vaidya, have been considered the most methodical and holistic in their curative measures due to the importance of acquiring foundational qualities such as good speech, logical reasoning, empathy, and humility, along with basic education.1 However, as a result of the interaction with a conceptually different western medicine during the British rule of India, aided by advances in its thought and technology as well as well-equipped institutions and free medical texts, medical education in India had a major impact from the West.2,3 Simultaneously, the Flexner report, in 1910, prescribed the biomedical model, accepting scientific knowledge and its advancement as the defining ethos of a modern physician, mistakenly assuming that students come for medical training with a strong grounding in liberal arts, having been educated in humanities and fine arts as well as the sciences. Instead of supplementing the humanities, the sciences replaced them during premedical education.4,5 While the system profited from the scientific advances, it has led to an imbalance in the art and science of medicine, and hence, the middle of the twentieth century saw efforts to realign the professional commitment of the physician and correct this imbalance through medical humanities (MH).6 The study of MH has since been used to increase understanding of the human conditions, expose students to the critical analysis of ideas, understand the role of the professional in a society, develop self-reflexivity and provide them with pockets of expertise and lifelong interests.7,8
The dictionary meaning of ‘humanities’ is ‘learning or literature concerned with human culture, especially literature, history, art, music and philosophy’. MH has been defined by Evans ‘as an integrated, interdisciplinary, philosophical approach to recording and interpreting human experiences of illness, disability and medical intervention’.9 It includes interdisciplinary as well as multi-disciplinary approaches in diverse fields such as literary arts, visual and performing arts, history of medicine and bioethics, amongst many others.10
As a separate field of study and practice, the use of arts and humanities in medical education is perceived to serve an important goal: that an attention to human interactions and creativity would create more empathetic and compassionate doctors with a wider worldview and broader perspective, leading to better health outcomes for patients.11,12 Our study was designed to describe the experiences of participants and facilitators in designing and implementing a formal coursework in health humanities within the medical curriculum.
METHODS
Setting
A competency-based training programme was introduced for Indian Medical Graduates in 2019 with humanities and social sciences in a structured curriculum as a part of the attitude, ethics, and communication (AETCOM) module.13 We did this study as a part of this module at Pramukhswami Medical College, Bhaikaka University, Karamsad, Gujarat, India.
Design
We introduced a formal coursework of health humanities through a series of discussions complimented with thorough literature research through diverse fields in literary, visual and performing arts.14–16 We also decided to adapt the non-instrumental approach of humanities, meaning, any work of literature, arts or music was not to be seen merely as a means to achieve professional or vocational education, but rather as expressions of human creativity that are essential components of an educated mind and intrinsically reflect the characteristic values of a complete human being. The idea was to provide opportunities for students to step outside the pervasive ethos of the medical world and explore other ways of seeing the world; to be ‘broadly educated’ rather than ‘narrowly trained’. This approach negated the insistence that the novels studied or the paintings looked at must have a doctor in them, or be by a doctor.12,17
Process
Designing coursework and pedagogy. With the guidance of invited, reputed scholars from other universities (see acknowledgments), our faculty members designed a 14-hour coursework in the fields of literature, photography, painting, and film studies in the 1st and 2nd professional years. An introduction to dramatics was also included in the 2nd professional year. This choice-based coursework allowed students to select any one of the offered choice areas for the academic session, as one art form may not appeal to everybody in the same manner.18 There was no defined pedagogy since the idea was to be more accepting of the diversity and ambiguity in the knowledge bases and have an exposure to a quality humanities class that encourages more critical thinking rather than being merely useful or directly relevant.19 We believed that the discipline needed to be taught by its practitioners, coupled with our internal faculty members, to provide a uniform balance of arts and medicine.20 75% attendance was mandatory for certification at the end of the coursework, and we restricted the coursework to only formative assessments in the form of submissions, assignments, and portfolios planned after each session.21,22
Sensitization workshop. All students (n=150) were exposed to a sensitization workshop conducted by internal faculty as well as invited experts. The workshop also included a brief overview of the curriculum, pedagogy, attendance, assignments, and assessment in each choice area, allowing students to make an informed decision.
Choice filling. Primary and secondary choices were invited from each student through Google Forms to ensure adequate and equal distribution in each choice area and limit the group size to a maximum of 45–50 students, thereby ensuring small-group activities and hands-on experiences during pedagogy. Inadequate or inappropriate distribution in any particular area was dealt with through counselling and/or grading of assignments. The students were grouped according to their primary choices, and classes were conducted in parallel for all offered areas.
Academic sessions. Seven sessions of two hours each were conducted for literature, photography, painting, and film studies during both the 1st and 2nd professional year. Choice filling for dramatics was conducted at the beginning of the 2nd professional year, with students from previous choices transitioning to dramatics. Due to Covid-19 and lockdown, 2 sessions during the 1st professional year and 3 sessions during the 2nd professional year were conducted online in the form of online lectures, videos, and assignments.
Humanities Mahotsav. A ‘Mahotsav’, Sanskrit for great festival, was celebrated as a culmination of the work done by the students at the end of the coursework. Eighteen students of literature presented their work in the form of poetry recitation, storytelling, singing and music. The work in literature was also displayed at the college corridor, along with artifacts of painting and photography. The students of painting displayed 37 artifacts produced during various classes during the course. The photography students displayed hard copies of various photographs depicting different concepts of photography they had learned during the coursework. The students of dramatics performed a hard-hitting play on caste-based reservation in medical schools in India, titled ‘Musical chairs,’ which was written by students of literature. The students of film studies explained the technical aspects of film studies through short videos and also displayed a short movie shot on campus, showcasing student life at a medical college.
Statistical analysis
A formal feedback was conducted through Google Forms. The questions in the feedback were self-prepared and pre-validated by internal and external faculty members involved in the design and implementation of the coursework. The student feedback was analysed through descriptive statistics. The feedback from internal and external faculty involved in the design and implementation of the coursework was collected in the form of reflections during a meeting and analyzed by the authors to identify the challenges and measures to overcome them.
RESULTS
The student’s choices (n=150) for 1st professional year and (n=136) for 2nd professional year showed fairly even distribution in all the offered choices with literature (23.3% and 15.4%), photography (30% and 26.5%), painting (27.3% and 22.8%), film studies (19.3% and 15.4%) and dramatics (19.9%).
A structured feedback provided by students (n=123) at the end of the 2nd professional year coursework stated that 63.4% students believed that medical colleges should provide a structured outlet/programme to demonstrate their work in the field of arts. 74.7% of students responded that the faculty conducted the sessions engagingly and interactively, allowing them to openly convey their thoughts and feelings without being judged (71.5%). The majority of the students were not in favour of assessment for the humanities (59.3%). Furthermore, 65% of students perceived that the coursework encouraged them to think more empathetically and enabled them to expand their views and perspectives (70.7%), and would help them become better doctors in the future (65%). The majority of students (73.1%) believed that it would be beneficial to include students in the preparation of the curriculum, while 44.7% of students did not prefer humanities courses as electives after college hours, and 22.7% remained undecided on the matter (Fig. 1).

- Students feedback on humanities sessions
The students suggested adding more areas, such as music, singing, dancing, and psychology, to the choices offered in the curriculum.
The challenges in designing and implementing a humanities curriculum, identified through faculty reflections, are described in Table 1.
| Design | Implementation |
|---|---|
| Absence of any exposure or availability of a structured humanities curriculum | Availability of classes in a tightly packed medical curriculum |
| Lack of experience of external faculty in integrating art and humanities with medicine | Student’s approach towards the sessions in the absence of a summative assessment |
| Lack of experience of the internal faculty in conducting humanities sessions | Operational challenges of implementing humanities sessions through online platforms due to the lockdown |
| Lag approach of relatively non-motivated faculty members | Frivolous approach of other faculty towards humanities sessions |
DISCUSSION
Medicine is only a minor determinant of health in the human population alongside other social factors and we have to view health and medicine as a cultural enterprise occurring in the society and concern illness and healing not only with healthcare providers and patients but also their families and community and study health within the context of its socio-cultural determinants, beyond the boundaries of medicine and clinical encounters. This formed the central theme around establishing the Department of Health Humanities and Social Sciences at our institute and introducing a formal framework for humanities in the medical curriculum to understand human experiences of health and healthcare, and work explicitly towards health humanities teaching, practice, as well as research.23
The introduction of humanities modules, as well as the encouraging feedback we received from the students at Level-1 of Kirkpatrick’s model of evaluation, has previously also shown favourable outcomes in many foreign universities on the improvement of knowledge and attitudes amongst medical students24 and there exist separate MH departments/groups with similar guiding philosophies at institutes such as St John’s Medical College, Bengaluru; KEM Hospital and Seth GS Medical College, Mumbai; Kasturba Medical College, Manipal Centre for Humanities, Manipal Academy for Higher Education, Manipal and University College of Medical Sciences, Delhi amongst others. Although many scholars have argued that the humanities have been narrowly judged to merely support the goals and priorities of medicine, thereby diminishing their values and possibilities.25 Dror26 also asserts that the humanities have been ‘medicalized’, limiting their potential contribution from the perspective of health. These precisely strengthened our belief in taking the non-instrumental approach of health humanities in our coursework. Besides, a coursework that avoids didactic teaching and concentrates instead on using imagination and creativity could be the rationale behind the encouraging response from the students. And even though the medical curriculum is tightly packed with voluminous academic subjects and arduously acquired skills, making the addition of any new course content overwhelming, the study of the humanities has always been deemed pleasurable by students.27
While it is true that in its ornamental role, humanities often seem valued primarily for the enrichment and comfort it offers to the physician8 and overworked medical students may subscribe to this relaxing and stress-reducing aspect of studying humanities,28 but such concerns often overlook the effect of reading a good poem or gazing at a work of art in an environment of rigorous enquiry on the reader or the viewer. Kirklin29 argues that poor teaching may lead to unitary, predefined conclusions about humanities texts and performative processes, rather than the texts or the processes themselves. It highlights the overwhelming response from the students about our sessions and the freedom to convey their thoughts and feelings without being judged.
We acknowledge that mere perceptions shared by students cannot account for the learning gained through such sessions. Not having a summative assessment limits the evaluation, but many others have also highlighted difficulties in assessing humanities modules.30 Wershof Schwartz et al.31 specifically mention that subjective outcomes, such as empathy, professionalism, and self-care, are difficult to measure, despite an effort to quantify the impact of humanities courses. Bleakley32 also remarks that it may be akin to measuring the immeasurable.
Jones33 concludes that the philosophy behind such a humanities course is to provide medical students with skills that enable keen listening, accepting diverse and multiple perspectives, as well as acknowledging ambiguous and contradictory responses. Garden34 observes that such skills are merely manifestations of empathy and must lead to action with the intention of reducing the suffering of others. Brody35 also reminds us that the ultimate goal of the humanities is to make a difference in practice through the moral development of practitioners guided by wisdom and virtue. Many studies suggest that exposure to humanities courses during medical training has been found to be successful in creating more humane doctors.36–38
This is our first experience in the vast field of humanities, and we did not utilize the 6 steps of curriculum development; however, we plan to develop further on this to provide a better structure to the curriculum. It would also be fruitful to receive feedback from multiple sources and future batches through interviews and focus group discussions, and to analyze the affective domain using validated scales to provide better generalization. However, while it is an indigenous coursework with sessions and artworks, as per our experience and experts from our network, we believe the guidelines we followed to design our coursework and sessions might generate similar responses across students and colleges.
Conclusion
A multidisciplinary field, such as the humanities, must be shaped by a belief in the importance of interdisciplinary and non-hierarchical conversations across disciplines. Both ‘medical’ and ‘humanities’ need to find equal validity and weightage to actualize the true potential of the field. While, like most, the humanities too have to work within the parameters of medical education, it is imperative to explore and seek clarity on how to integrate the subjects of the humanities along with the conventional training of medical students.
ACKNOWLEDGEMENTS
We gratefully acknowledge Professors Kanu Patel, Param Pathak, Abhijeet Vyas, Dipak Raval, Kamal Chakraborty, Rajeshwari Patel and Ramesh Chaudhary for their help and support.
Conflicts of interest
None declared
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